After not having the energy to leave home to do my shot of the day, I decided that I should keep up the snow theme for the rest of the week. So, I could take a few shots from the balcony in an effort to keep that up. The skies looked pink, with the snow clouds and the impending snow showers, and I thought an evening sky on a long exposure would make a great shot.
I was proved wrong, when I couldn't get a single shot to look the way I wanted because of the high winds that kept moving the trees causing a lot of blurred motion. I thought I could use the blur as the subject, since I couldn't control the elements, but it just didn't work, and the wind kept shaking the camera, besides chilling me to my bones, of course. So, I gave up and came back indoors.
This leads me to post one of a few images I took a couple of days ago, and to explain what I mean by odd numbers in photography, which you might already know about, but which doesn't stop me from revisiting - the rule of including odd numbers in our images.
We often inadvertently incorporate this rule into our photography. An odd number always creates a better image than an even number of objects that lead the brain to look for symmetry, which in most cases looks boring. Additionally, it is said that the more time it takes the brain to process something, the better it is appreciated.
Sometimes three or five don't make a crowd. However, we need to be careful of not introducing too many numbers as this will ultimately lead to clutter. Keep it simple and clutter-free, but it's nice to create a little bit of interest and help the eyes travel all over an asymmetrical image, especially if you create a group/cluster of three or five, instead of putting them in a straight line. Although, mind you, straight lines work better in cases where you want to create leading lines or patterns. The artistic choice finally lies with you!
When I shot these images, I hadn't realized that I took only a couple of images with the two starlings in the tree, but most of my images had three of them in it. There was a large flock of these feathered guys, but I was somehow able to isolate and shoot the three close together. Maybe this was totally accidental, or maybe it was subconsciously executed. Who's to tell!
To illustrate the case in point, here are three shots. Do let me know which one(s) you find most interesting.
And while this is a rule in composition to use odd numbers, there are always exceptions to this rule and it's always nice to be able to break them creatively.
